Art performs many functions around the house. Interior designers rely on him to bring to life the pieces they’ve imagined since their first moodboards, sourcing trips and custom orders. For example, Francois Sultane and the Mlinaric, Henry and Zervudachi the studio uses illustrations to provide color and texture; Beata Heman and Luke Edward Room use it to add nostalgia and character, while Albion North and Rose Uniacke channeling nuance and storytelling through canvases, boards and sculptures in their refined projects.
Artists also enjoy the way their works inform these spaces, holding furniture and viewers in unspoken discourse. Alias rate, a London-based contemporary artist known for his emotive and expressive use of color, says, “There is a primacy of color in my work which projects a presence outward from the canvas, filling the room around the ‘work “. Laurence Bonnel, Parisian sculptor and founder of Open Stage Gallery, goes so far as to say: “Works of art have souls and personalities that ignite a room. They have humor, they are precious and you can feel the presence of the artist or craftsman who made them in the room”.
The urge to bring art into our homes is not new, but it has been exacerbated by periods of confinement and the growing work-from-home culture.
Since the start of the pandemic, artsy, an American arts brokerage, has seen a dramatic increase in the number of digital transactions. E-commerce purchases from the website increased by 150% at the start of the pandemic and accelerated further in 2021 as the art world began to embrace transparent pricing and so-called “to-order” transactions. low friction”, eliminating middlemen and facilitating payment options. Results of a 2021 report commissioned by Artsy in collaboration with Collect, the art fair, showed that the pandemic had dramatically accelerated the growth of online art marketplaces as places to discover and buy. Another report on the subject, the world market of Art Basel and UBS Artistic report, found that the online art market more than doubled to $12.4 billion in 2020 from $6 billion in 2019.
Jonathon Warren, Interiors Website Commercial Director LuxDeco also brings good news. He tells me: “2021 has been a bumper year for artwork at LuxDeco and it’s one of the departments that really peaked during the lockdown, with huge growth of over 200% year-on-year. the other “. The company, which also sells homewares, has seen a tangible shift in the search for high-quality, handcrafted artwork. “Over the past 12 months we have noticed a continued trend away from abstract art towards more traditional landscapes, portraits and photography,” he says. “Specifically, in keeping with the 1970s aesthetic that is prevalent at the moment, Slim Aarons’ colorful and stylistic prints are attracting enormous interest.”
In the same spirit, Helen Armon-Jones, founder of The art buyer, thinks there’s no better time to give your walls some attention, and in turn, there’s no better way to do it than digitally. “When you break them down, houses are just bricks, mortar, steel and glass, but what really makes a house a home? They’re works of art that bring your personality, your own fingerprint, to the house you live in,” she says. “We have and will continue to spend a lot of time at home, so it’s important to invest in new works of art. art that speaks to you.” The Art Buyer is one of many companies, including Murus Art, a gallery that has partnered with an augmented reality specialist Poplar workshop, to launch a virtual art gallery, allowing customers to interactively browse art with visuals, enhancing the look and feel of the work in a residential space.
For more seasoned collectors, there are hugely exciting new digital galleries to browse art from the comfort of your home. The collector’s eye is a new arts platform that held its inaugural physical edition in September last year at Two Temple Place in Temple, London. The next opportunity to see the conservation in person will be in May, but in the meantime collectors can visit the platform’s dedicated online viewing rooms. The virtual and richly detailed “rooms” present exquisite works of art with the architectural recovery of an imaginary network of large salons, drawing inspiration from the majesty of the first physical location of the exhibition.
For the 18th edition of Collect, the exhibition will for the first time take a “phygital” form, straddling the physical and digital approaches of today’s gallery. It will open again at Somerset House on February 25 and simultaneously release work through Artsy, including online exclusives from galleries like ATTA Gallery in Thailand, Micheko Gallery in Munich and Gallery Skio in Seoul.
The growing accessibility of art on a global scale can only be a good thing, so why not indulge in a scroll that takes you to the farthest galleries you can think of as the world of blooms in pixels between us?