D U N N   A N D   B R O W N   C O N T E M P O R A R Y

BIOGRAPHY

Rackstraw Downes

1939 Born in Kent, England

The artist lives and works in New York City

Education

1961 BA in English Literature, Cambridge University, England

1964 BFA and MFA in Painting, Yale University, New Haven, Connecticut

Awards

1999 Inducted into the American Academy of Arts and Letters

1998 John Simon Guggenheim Memorial Fellowship

1989 Academy-Institute Award, American Academy and Institute of Arts and Letters

1980 National Endowment for the Arts

1978 CAPS

1974 Ingram Merrill Fellowship

1971 Yaddo Residence Fellowship

1961-62 English-Speaking Union Traveling Fellowship

Solo Exhibitions            Group Exhibitions

2004

Betty Cuningham Gallery, New York., Sept. 23 – Oct.30

Drawing as Part of the Process, New York Studio School

2003

Water-Flow Monitoring Installations on the Rio Grande near Presidio, TX

The Chinati Foundation, Marfa, Texas

2000

Robert Miller Gallery, New York.

1999

The Chinati Paintings, The Chinati Foundation, Marfa, Texas.

1998

Working Drawings, Marlborough Gallery, New York.

1997

Marlborough Gallery, New York. (exh. cat., with essay by Hayden Herrera)

1994

Amherst College, Massachusetts.

1992

Weatherspoon Art Gallery, Greensboro, North Carolina.

1991

Hirschl & Adler Modern, New York.

1988

Drawings, Texas Gallery, Houston, Texas.

1987

Hirschl & Adler Modern, New York. (exh. cat.)

1984

Hirschl & Adler Modern, New York. (exh. cat., with essay by John Yau)

1980

Kornblee Gallery, New York.

Tatischeff & Company, New York.

1978

Kornblee Gallery, New York.

1978

Swain School of Design, New Bedford, Massachusetts.

1975

Kornblee Gallery, New York.

1974

Kornblee Gallery, New York.

1972

Kornblee Gallery, New York.

1969

Swarthmore College, Swarthmore, Pennsylvania.

Marlin McLeaf Gallery, Philadelphia, Pennsylvania.

Group Exhibitions            Solo Exhibitions

2005

Land, Dunn and Brown Contemporary, Dallas, Texas

2003

Celebrating Central Park. 1853-2003, Hirschl & Adler Galleries

Skowhegan 2002003 Faculty Exhibition. ICA, Maine College of Art, Portland, Maine

Facing Reality. The Seavest Collection of Contemporary Realism. Neuberger Museum, SUNY, Purchase, New York

2002

poly.auto.gragh.y. Center Gallery, Fordam University at Lincoln Center, New York

Looking at America. Yale University Art Gallery, New Haven, Connecticut

2001

ReAppearance, Realism in Contemporary Art. Simmons Visual Arts Gallery, Brenan University, Gainesville, Georgia. (exh. cat.)

Fresh Kills: Artists respond to the Closure of the Staten Island Landfill. Snug Harbor Cultural, Staten, New York. (exh. cat.)

2000

Inside/Out. The Space of Landscape & Architecture. Carpenter Center for the Visual Arts. Harvard University, Cambridge, Massachusetts

Making Choices. Modern Art despite Modernism. Museum of Modern Art. New York. Curated by Robert Storr. (exh. cat.)

Crossing State Lines: Texas Art From The Museum of Fine Arts, Houston. Museum of Fine Arts, Houston. Texas.

New York Perspectives II. MB Modern, New York.

Landscape 2000. The New Topography. Late Twentieth Century American Landscape Painting. The University of Wyoming Art Museum, Laramie, Wyoming.

In the Spirit of Landscape V. Nielsen Gallery, Boston, Massachusetts.

Artists in Maine. Hay Gallery. Portland, Maine.

2000

Elogio de lo Visible, Galeria Marlborough, Madrid, Spain. (essay by Fernando Huici)

1999

Green Woods and Crystal Waters, Philbrook Museum, Tulsa, Oklahoma. (exh. cat.)

Darkness and Light, Museum of Western Virginia, Roanoke, West Virginia.Contemporary American Realist Drawings, The Art Institute of Chicago, Chicago, Illinois. (exh. cat.)

1998

Summer, Lennon,Weinberg, Inc., New York.

Beyond The Mountains: The Contemporary American Landscape, Asheville Art Museum.

Tendences Actuelles de la Peinture a Houston, Texas, oeuvres sur papier, Musee de l¢ Echevinage, Santes, France (exh. cat. with artist’s statement).

1998

Landscapes, Meyerson & Nowinski, Seattle, Washington.

Malcolm Morley, Ellen Phelan, Rackstraw Downes. Suzanne Hillsbury Gallery, Detroit, Michigan.

1997-98

Best of the Season: Selected Works from 1996-97 Gallery Exhibitions, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut.

Landscape, Seen & Unseen, Pratt Manhattan Gallery, New York. Traveling exhibition: Schafler Gallery, Pratt Institute, Brooklyn, New York.

CityScapes, Marlborough Gallery, New York.

Landscape: The Pastoral to the Urban, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York.

1997

Art 1997 Chicago: 5th Annual Expo of International Galleries Featuring Modern and

Contemporary Art, Navy Pier, Chicago, Illinois.

1996

Realism After 7 a.m. - Realist Painting After Edward Hopper, curated by Richard Milazzo, The Hopper House, Nyack, New York. (exh. cat.)

Reinterpreting Landscape, Maier Museum of Art, Randolph- Macon Woman's College, Lynchburg, Virginia. (exh. cat. with essay by Hearne Pardee)

Finders, Keepers, Contemporary Arts Museum, Houston, Texas. 1997 (exh. cat.)

Rediscovering the Landscape of the Americas, Gerald Peters Gallery, Santa Fe, New Mexico. Traveling exhibition curated by Alan Gussow & Gayle Maxon- Edgerton. (exh. cat.)

1995

Texas Myths and Realities, Museum of Fine Art, Houston, Texas.

Urban Landscape; Yvonne Jacquette, Rackstraw Downes, John Moore, Wright State University Galleries, Dayton, Ohio.

The City: New York Visions 1900-1995, ACA Galleries, New York City, New York .

The Urban Landscape, Wunderlich & Co, New York and The Murray Collection, Scranton, Pennsylvania.

Painting, the Intimate View, curated by Betty Cuningham. The Painting Center, New York.

1994

10 + 10, New York Studio School, New York.

The Long View, curated by Robert Storr, Museum of Modern Art, New York.

New York Realism Past and Present, curated by Douglas Drieshpoon, Tampa Museum, Florida, and 5 museums in Japan. (exh. cat.)

1992

American Realism and Figurative Art: 1955-1990, The Muyagi Museum of Art, Japan, and other cooperating museums, curated by John Arthur. (exh. cat.)

Island Inspired, Galveston Arts Center, Galveston, Texas.

The Map is Not the Territory, Rosenwald-Wolf Gallery, Philadelphia College of Arts and Design, Pennsylvania. (exh. cat.)

The Artist’s Eye, curated by Rackstraw Downes, visiting curator Colby College Museum of Art, Colby College, Waterville, Maine.

City Views, Staller Center for the Arts, SUNY at Stony Brook, New York

1991

Drawings By, curated by John Lees, Proctor Art Center, Bard College, Annandale-on-Hudson, New York.

Alienation in the Industrial Landscape, First Street Gallery, New York.

Fairfield Porter and Rackstraw Downes: The Act of Seeing, Johnson Gallery, Middlebury College, Vermont. (interview with Emmie Donadio)

The Painted Landscape: Seen, Translated, Imagined, Fantasized, Conjured, Constructed, Apprehended, and Eulogized, Genovese Gallery, Boston, Massachusetts.

Motion as Metaphor, The Automobile in Art, curated by Sue Scott, Virginia Beach Center for the Arts. (exh. cat.)

The Contemporary American Landscape, curated by Marianne Friedland, Philharmonic Center for the Arts, Naples, Florida. (exh. cat.)

1990

Wolf Kahn/Rackstraw Downes/Paul Resika, Kornbluth Gallery, Fairlawn, Jersey.

Mixed-Use District, The Institute of Art & Urban Resources, New York.

1989-90

The Landscape Observed, Decker and Meyerhoff Galleries, Maryland Institute College of Art, Baltimore, Maryland.

Urban Images, Madison Art Center, Madison, Wisconsin.

Landscape: A Travelogue Painted from Memory, Imagination or Reality, Ruth Siegel Gallery, New York.

Paintings and Sculpture by the Candidates for Art Awards, American Academy and Institute for Arts and Letters, New York.

City By Day/City By Night, Gallery Henoch, New York.

American Art Today: Contemporary Landscape, Florida International University, Miami. (exh. cat.)

1989-90

Direct Response: Contemporary Landscape Painting, Memorial Art Gallery, Rochester, New York.

Art of the 80’s from The Collection of Chemical Bank, The Montclair Art Museum, New Jersey. (exh. cat.)

1988-89

The World is Round: Contemporary Panoramas, The Hudson River Museum, Yonkers, New York. (exh. cat.)

1988

Selections From The Ellen and Jerome Westheimer Collection, curated by Sue Scott, Oklahoma Art Center, Oklahoma City. (exh. cat.)

Realism Today, American Drawings from the Rita Rich Collection, traveling exhibition organized by the National Academy of Design. (exh. cat.)

20th Century American Realism from the Blum Collection, Aetna Institute Gallery, Hartford, CT. (exh. cat.)

1987

Urban Visions: The Contemporary Artist and New York. Adelphi University, Garden City, Long Island, New York.

Contemporary American Landscapes: Reflections of Social Change, Summit Art Center, Summit, New Jersey. (exh. cat.)

Animal Life, One Penn Plaza, New York.

Drawing and Drawings, The Hudson River Museum, Yonkers, New York.

Landscape, Seascape, Cityscape, Contemporary Arts Center, New Orleans and New York Academy of Art, New York.

20th Century Drawings from the Whitney Museum of American Art, Fairfield County, Stamford, Connecticut. (exh. cat.)

1986

American Realism: Twentieth-Century Drawings and Watercolors from The Glenn C. Janss Collection, organized by San Francisco Museum of Modern Art, California. (exh. cat.)

Mainly on the Plain, 56 Bleeker Street Gallery, New York.

1985

Visiting Artists, Kemper Gallery, Kansas City Art Institute, Missouri.

Views: Interior and Exterior, Koplin Gallery, Los Angeles.

The Realist Landscape, Rutgers University, New Brunswick, New Jersey.

New American Painters: Figuration, Jane Haslem Gallery, Washington, D.C.

American Realism: The Precise Image, traveling exhibition organized by Isetan Museum of Art, Tokyo, Japan. (exh. cat.)

Survival of the Fittest II, Ingber Gallery, New York.

Drawing Acquisitions 81-85, Whitney Museum of American Art, New York (exh.cat.)

The Primacy of Just Seeing, Thorpe Intermedia Gallery, Sparkill, New York.

1984

Landscape, Matthews Hamilton Gallery, Philadelphia, Pennsylvania.

New Narrative Painting: Selections from the Collection of the Metropolitan Museum of Art, Tamayo Museum, Mexico City, Mexico.

Artists’ Choice Museum: The First Eight Years, Artists’ Choice Museum, New York.

Mood and Landscape, Sherrie French Gallery, New York.

New Realism Behind the Scenes, College of the Mainland Art Gallery, Texas City, Texas. (exh. cat.)

New Vistas: Contemporary American Landscape, The Hudson River Museum, Yonkers, New York. (exh. cat.)

1983-84

Painting New York, Museum of the City of New York, New York. (exh. cat.)

1983

Contempoary Landscape Painting, traveling exhibition organized by Wesleyan University, Connecticut. (exh. cat.)

Perspectives on Contemporary American Realism, Works on Paper, Pennsylvania Academy of Fine Art, Philadelphia, Pennsylvania. (exh. cat.)

A Heritage Renewed, Representational Drawing Today, University Art Museum, Santa Barbara, California. (exh. cat.)

Painted Light, traveling exhibition organized by Queens Museum, New York. (exh. cat.)

Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania. (exh. cat.)

1982

An Appreciation of Realism, Munson-Williams Proctor Institute, Utica, New York

Architectural Images, Summit Art Center, Summit, New Jersey. (exh. cat.)

1981

Contemporary American Realism, Pennsylvania Academy of Fine Art, Philadelphia, Pennsylvania. (exh. cat.)

Biennial Exhibition 1981, Whitney Museum of American Art, New York. (exh. cat.)

Amerikanische Malerei 1930-1980, Haus der Kunst, Munich, Germany.

The American Landscape, Recent Developments, (Organized by the Whitney Museum of American Art), Stamford, Connecticut. (exh. cat.)

The Panoramic Image, University of Southampton, Southampton, England. (exh. cat.)

Contemporary American Landscape, Hirschl & Adler Galleries, New York. (exh. cat.)

The Americans: The Landscape, Contemporary Art Museum, Houston, Texas. (exh. cat.)

20 Artists: Yale School of Art 1950-1970, Yale University Art Gallery, New Haven, Connecticut. (exh. cat.)

American Drawings in Black and White; 1970-80, Brooklyn Museum, New York.

Real, Really Real, Super Real: Directions in Contemporary Realism, traveling exhibition organized by San Antonio Museum of Art, San Antonio, Texas.(exh. cat.)

Animals in American Art 1880’s-1980’s, Nassau County Museum of Fine Art, Roslyn, New York. (exh. cat.)

American Realism and the Industrial Age, Cleveland Museum of Art, Cleveland, Ohio. (exh. cat.)

1980

The Figurative Image, Hartford Art School, University of Hartford, CT.

1979

America in the 70’s: Depicted by Artists from the Richard Brown Baker Collection, Meadow Brook Art Gallery, Rochester, Michigan.

Artists Choice Museum Show: Figurative/Realist Art, 6 Galleries, New York.

The New Concern with Nature, Staten Island Museum New York.

1978

Landscape/Cityscape, State University of New York, Potsdam, New York.

Things Seen, Sheldon Memorial Art Museum, University of Nebraska at Lincoln. (exh. cat.)

1977

Figurative Art in New York, Artists’ Choice Museum, New York. (exh. cat.)

Outside The City Limits: Landscapes by New York City Artists, Thorpe Intermedia Gallery, Sparkill, New York. (exh. cat.)

1976

Eighteen Artists, Los Angeles County Museum, Los Angeles, California.

America 1976, U.S. Department of Interior, Bicentennial Exhibition, Washington, D.C. (exh. cat.)

A Selection of American Art: The Skowhegan School 1946-76, Institute of Contemporary Art, Boston. (exh. cat.)

76 Maine Artists, Maine State Museum, Augusta, Maine.

1974

New Images: Figuration in American Painting, The Queens Museum, New York. (exh. cat.)

1973

A Sense of Place, The Artist and the American Land, Mid-America Arts Alliance (Iowa, Kansas, Missouri, and Nebraska). (exh. cat.)

1972

Painterly Realism, Art Institute of Chicago, Illinois. (exh. cat.)

Painters of Land and Sky, Picker Gallery, Colgate University, Hamilton, New York.

1970

Painterly Realism, American Federation of the Arts, traveling show through 1972.

Two-Person Show (with Janet Fish), Long Island University, BrooklynCenter, New York.

The Representational Spirit, University Art Gallery, State University of New York at Albany, curated by Ellen Romano Russotto. (exh. cat.)

1968

American Landscape, Swarthmore College, Swarthmore, Pennsylvania.

Young New Yorkers, Stevens Institute, New Jersey.

Public and Corporate Collections

Amerada Hess, New York, New York

Art Institute of Chicago, Chicago, Illinois

Carnegie Institute, Pittsburgh, Pennsylvania.

Chase Manhattan Bank, N.A., New York, New York

Chemical Bank, New York, New York

Colby College Museum of Art, Waterville, Maine

Corcoran Gallery of Art, Washington, D.C.

Equitable Life Insurance, New York, New York

Exxon Corporation, New York, New York

The Hirshhorn Museum and Sculpture Garden, Washington, D.C

Hood Museum of Art, Dartmouth College

Indiana University Art Museum, Bloomington, Indiana

Kansas City Art Institute, Kansas City, Kansas

Kemper Museum, Kansas City, Missouri

Ludwig Museum, Cologne, Germany

Maier Museum of Art, Lynchburg, Virginia

Metropolitan Museum of Art, New York, New York

Modern Museum of Fort Worth, Texas

Museum of Fine Arts, Houston, Texas

Museum of Modern Art, New York, New York

Nelson-Atkins Museum of Art, Kansas City

The Newark Museum, Newark, NJ

The Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania

Philbrook Art Center, Tulsa, Oklahoma

Simpson, Thatcher, and Bartlett, New York, New York

United Missouri Bancshares, New York

University of California, University Art Museum, Santa Barbara, California

Weatherspoon Art Gallery, Greensboro, North Carolina

Whitney Museum of American Art, New York, New York

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